Hard Fork Continues as Newton and Roose Launch Machine Gods
Casey Newton and Kevin Roose are leaving Hard Fork for Machine Gods with NPR, launching the week of October 19. Hard Fork will continue with new hosts.
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Casey Newton and Kevin Roose are leaving Hard Fork for Machine Gods with NPR, launching the week of October 19. Hard Fork will continue with new hosts.
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Casey Newton and Kevin Roose are leaving Hard Fork to launch Machine Gods through their independent company, Machine Gods Media, in partnership with NPR. Newton says Hard Fork will continue with new hosts. Machine Gods is scheduled to launch the week of October 19, 2026, with twice-weekly episodes and a focus on AI coverage and video. NPR radio distribution is planned for early 2027.
Hard Fork will continue with new hosts after Newton and Roose finish their run.
Newton and Roose formed Machine Gods Media to produce their new AI-focused podcast.
Machine Gods is scheduled to start the week of October 19, 2026, with twice-weekly episodes.
Casey Newton and Kevin Roose are leaving Hard Fork, the New York Times podcast, to launch Machine Gods, a new AI-focused show produced through their own media company in partnership with NPR. The transition gives the hosts more room to publish and experiment with video, but also puts a small new operation in charge of executing both ambitions. Casey Newton says Hard Fork will continue with new hosts; the departing hosts' final episode does not end the podcast itself.
The announcement is a change in both employer and operating model. Hard Fork was made at The New York Times; Machine Gods Media is the company Newton and Roose formed to produce their new show. NPR is their partner, giving the venture a route into public-radio distribution while the hosts build a standalone media business around it.
Newton described AI as the organizing principle for most of Hard Fork’s run, after the show began in 2022. Machine Gods is intended to go deeper on the week’s stories rather than move away from that focus. The larger change is the production model: the hosts want to expand capacity and run the show more frequently.
The sharper contrast is between the established audience and the platform the new company wants to master. Newton and Roose say they want to get much better at YouTube, which Newton called one of the world’s most important media platforms and a difficult one for journalists to crack. They plan to use a small team to test video and audience strategies, with the hope of sharing what they learn with others.
NPR offers a distribution partner with a longstanding audio audience. YouTube asks for a different kind of operation: a format, production process and audience strategy that can work on a major video platform. Machine Gods will be judged not only on whether its AI coverage carries over from Hard Fork, but on whether a small team can build that video operation without weakening the show itself.
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Casey Newton and Kevin Roose have launched Machine Gods, a free AI podcast made in partnership with NPR. Publishing Wednesday and Friday mornings, the show promises room for both safety warnings and useful technology—a position the hosts call “AI realism.” Public-radio stations are expected to begin carrying it early next year.
In their launch essay, the hosts describe an AI debate pulled between skeptics who doubt the technology’s ultimate capabilities and accelerationists who want it advanced as quickly as possible. Their intended audience is people trying to understand what the news means for their lives, rather than choosing one of those camps.
That position does not mean dismissing warnings. Newton and Roose say they intend to take concerns from AI researchers seriously, including when the discussion is uncomfortable. But they also argue that journalism focused only on panic and crisis can deepen the loss of power and agency people already feel.
They contrast that feeling with the enjoyment of making things. Drawing on their experience at Hard Fork, the hosts say episodes about building software with AI prompted listeners to try it themselves. They want Machine Gods to preserve space for experimentation and excitement, not treat enthusiasm as incompatible with scrutiny.
The promise is not a prediction that benefits and harms will balance out. The hosts describe their approach as “considered uncertainty,” rejecting both an inevitable dystopia and an assured technological utopia. They say collective choices over the next few years will help determine the outcome.
The opening episodes put that editorial promise into a concrete format. The hosts describe the first as covering misbehaving AI agents, government responses and an AI imitation competing with Roose’s book on Amazon. The second features two recently fired OpenAI safety researchers discussing their account of their departures and their concerns.
Although they are committed to making a show that works as audio, Newton and Roose also want to give audiences more reasons to watch. They call video the moment’s most important format and argue that journalists need to experiment with how they reach people on video platforms.
Their diagnosis has two parts: platform economics favor cheap, mass-produced material shaped for recommendation systems, while journalists can be reluctant to adapt. For the new show, they have commissioned a set designed by Skye Prey, with large chairs and an AI-inspired backdrop.
The hosts are also drawing a contrast with subscription-funded journalism. They say high-quality information about AI should be freely accessible. Their NPR agreement provides a planned route onto public-radio stations in early 2027, extending distribution beyond the podcast’s online audience.
To support the operation, they plan to sell advertising, stage live events and occasionally sell merchandise. They have formed an LLC, leased office space and hired a production team, including executive producer Danush Parvaneh and senior producer Rachel Cohn, a longtime Hard Fork producer.
The launch essay also discloses financial support from the Tarbell Center for AI Journalism, the William and Flora Hewlett Foundation, and Emerson Collective. It gives no amounts. The hosts say a Machine Gods ethics policy is still being drafted, but pledge that neither advertisers nor philanthropic funders will influence editorial decisions.
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