Musicians union presses major labels for AI consent and pay ahead of contract talks
The campaign seeks new contract safeguards while an ongoing lawsuit tests whether existing payment rules already cover AI licensing.
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The campaign seeks new contract safeguards while an ongoing lawsuit tests whether existing payment rules already cover AI licensing.
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AFM is seeking to put performer control, credit and a share of AI-related licensing revenue into the next Sound Recording Labor Agreement, with negotiations set to resume November 3. The “Human Made, Human Paid” proposals would give musicians a say in whether labels use their recordings for AI training; labels have not agreed to them. Separately, AFM’s June 5, 2026 lawsuit against Universal- and Warner-affiliated labels argues existing “new use” payment terms cover AI licenses—a reading the labels dispute.
AFM says it represents more than 80,000 professional musicians.
The current agreement’s “new use” provision requires additional payments for certain commercial reuses, and AFM argues AI-training licenses qualify.
The lawsuit alleges that agreements with AI music companies Suno and Udio involved members’ recordings without required notice or compensation.
The American Federation of Musicians has launched “Human Made, Human Paid,” a campaign demanding that record labels secure musicians’ permission, credit them and pay them when their recordings train AI. The union will press those demands in November contract talks, while its lawsuit over what labels already owe musicians continues.
The campaign targets Universal Music Group, Sony, Warner and Disney’s Hollywood Records. AFM says it represents more than 80,000 professional musicians. Its proposals would give performers a role in decisions about AI use of their recorded work, rather than leaving those decisions solely to labels licensing their catalogs.
The bargaining vehicle is the Sound Recording Labor Agreement, which governs recording terms, royalty payments and healthcare benefits for union musicians. AFM wants its AI safeguards included in negotiations for a successor agreement. These are union demands, not protections the labels have agreed to adopt.
The record labels cannot pocket profits built on the backs of human artistry while cutting working musicians out of the equation.
Tino Gagliardi, AFM international president
The campaign builds on a dispute over two different sets of rights. Record labels may own the copyrights to sound recordings, while the musicians who performed on them retain separate contractual rights to compensation. AFM’s position is that a label’s AI licensing deal does not remove those labor obligations.
That argument is already before a federal court. On June 5, 2026, AFM sued Universal and Warner-affiliated labels, alleging that licensing arrangements involving AI music companies Suno and Udio violated the existing labor contract. The union alleges that recordings featuring its members were authorized for AI training and music generation without required notice or compensation.
At the center is the contract’s “new use” provision: a requirement for additional payments when recordings are repurposed for certain commercial uses. AFM argues that AI-training licenses fall within that protection. Universal and Warner dispute that reading and maintain that their technology agreements do not trigger the compensation obligations the union alleges.
The lawsuit concerns the meaning of the agreement already in force. The campaign also seeks explicit safeguards in the next one. Sony and Hollywood Records are among the campaign’s targets; the ongoing lawsuit described here is against Universal and Warner-affiliated labels.
Negotiations for the successor agreement began in January 2026, with additional sessions in March. Talks are scheduled to resume November 3, according to Hypebot. The campaign includes a petition hosted at humanmadehumanpaid.com, aimed at gathering support from musicians, industry professionals and consumers ahead of the bargaining round.
Union members frame the demand as a way to sustain music careers, rather than stop technological development. Producer and AFM member Will Wells said musicians do not want to halt technology’s advance; they want a viable way to keep earning a living as it changes music-making.
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